From 1967, Operation Blue Wasp aka The Blue Bees!














Slow on posting this as Grady over at Kaiju Shakedown got the news earlier, but coming soon from pal of Kung Fu Fridays, Julien Seveon, is his long awaited book, "Category III, sexe, sang et politique à Hong Kong" (Category III : sex, blood and politics in Hong Kong). Can't wait for this one - hardcover, 330 pages, with analysis and interviews with many leading figures including Simon Yam, Billy Tang, Herman Yau, Hsu Chi. Plus its loaded with hundreds of rare and never before seen photos/ lobby cards/ posters, many of which come from the collection of yours truly! Hope to get more information on how it can be ordered online! Meanwhile, here is the link for the French publisher.
For those of you not getting the reference, the name of my personal business is Ultra 8 Pictures, named after a cool t-shirt that my friend Steve brought me from Japan that had an "Ultra 8" logo on it --- as in Ultraman, the joke being that the series ended at Ultra Seven and there is no "Ultra 8". That is til me, and then later, the reunion series called "Ultraman 8".
A behind the scenes shot of HK director Wong Jing on the set of KING ZOMBIE (Yau Ji Geung Bai Am Lynn Nei which literally is "The Zombie Who Loves You Secretly"). Found over at Monkey Peaches. Photos from www.mtime.com."A group of young models come to a remote island for some swimsuit shoot and a cursed zombie is awakened by accident..."
If you live in or nearby Toronto, Christmas treats are being delivered early this year with a FREE screening of the Kung Fu Fridays cult favourite, ENTER THE FAT DRAGON, starring Sammo Hung! 35mm print! Big Screen Thrills! Be sure to show up early to get a seat!Bruce Lee finally comes to mainland China. That’s the angle many news outlets are taking in describing THE LEGEND OF BRUCE LEE, a 50-part prime time TV series described as a “biography” of the famed martial artist and film star that begins airing on state-sponsored Chinese television on Sunday. Despite dozens of films and TV series from Hong Kong, the U.S. and elsewhere that have depicted Bruce Lee and his life ever since his premature death in 1973, no attempt has been made by mainland Chinese producers, at least on this scale, to cover this topic until now.Read the full story here including details on the involvement of Mark Dacascos (BROTHERHOOD OF THE WOLF), Ray Park (STAR WARS: EPISODE ONE - THE PHANTOM MENACE), and Gary Daniels (CITY HUNTER). Here is an extended trailer (which just seems to be a loop of various versions of the credit sequences.







This time around, in the role of Beggar So, is Zhao Wen-zhou (Vincent Chiu Man Chuk), who appeared as the bad guy in FONG SAI YUK and then replaced Jet Li in the Wong Fei Hong role for UPON A TIME IN CHINA 4 & 5 and dazzled audiences in Tsui Hark's THE BLADE and GREEN SNAKE, only to fade away from the big screen to various television series (including the Tsui Hark produced Wong Fei Hong series and a Singapore Fong Sai Yuk series). Last thing I saw him in was FIST POWER, which, while ridiculous was at least entertaining. It was also one of the last films I saw at the old Golden Harvest Cinema up in the 'burbs of Toronto. Sadly, that cinema is now more.


Check him out in this ad for "Wild Aid". The punchline is so worth it!
And some highlights with the print played in Sitges last year as part of the Mondo Macabro series. WARNING: Spoilers ahead!
Oh Grady. How we miss you here in Toronto. We fawn over your blog and think of our drunken fun times over a month ago. When will you return?Critics have long felt that somehow the martial arts or action genre needed to be changed, elevated, abstracted in order to be considered "real art." White isn't entirely to blame for his misperception, he's merely toeing the critical line here, mouthing stale attitudes that are pretty common among film writers. Somehow action in movies is looked at with suspicion, whereas "longing and weeping" are considered "rich and real."
Physical performance is an essential - I would argue THE essential - part of true cinema. Buster Keaton is one of the world's greatest filmmakers and he built his career by developing ever more sophisticated ways to showcase his physicality in his movies. In his own way, Jacques Tati did the same thing, building movies that are no more and no less than the physical performance. Bruce Lee was not a great verbal or psychological actor, but the grace and power he brought to the screen was not some kind of chop sockey grindhouse guilty pleasure, it was a call for revolutionary awakening, a re-definition of what a Chinese man could be.

When Jackie Chan takes on a hundred hitmen in a teahouse in DRUNKEN MASTER 2, or a speeding bus full of thugs in POLICE STORY or an entire warehouse of drug dealers in DRAGONS FOREVER the contrived storyline becomes secondary to the amazing things he does. Chan's physicality is an affirmation of human potential and audiences never get tired of seeing him show what anyone can do if they put their minds to it, that there are no odds we can't overcome. These are visceral lessons, emotional effects provoked by action that can't effectively be broken down into words. Sammo Hung's agility in ENCOUNTERS OF THE SPOOKY KIND or THE VICTIM are ten-thousand word essays in grace as he pulls off incredible feats that belie his bulky body.

from http://www.cinemaposter.com/KRApojedynekwiatr.html
