I had heard about this sometime ago, but only now catching up with it. In the post below I credited Jonathan Ross for pointing me into the jungles of HK cinema and in 2006 he returned to offer insight into the world of contemporary Japanese, Hong Kong and Korean cinema with his 3 part Asian Invasion series on BBC 4. Grateful to YouTuber kenada for posting these. If they happen to disappear, just do a search as I am sure they will pop up somewhere else.
Each of the three episodes has been broken up into around 6 parts to fit on YouTube. I am posting the first part and you can find the rest at kenada's channel. Here is the breakdown of the series:
JAPAN Jonathan goes to Tokyo to see if Japanese cinema has gone off the boil, as some critics suggest. He meets directors Ryuhei Kitamura (Versus) and Mamoru Oshii (Ghost in the Shell) and surveys the current crop of Japanese films, including the strange tale of a giant squid turned championship wrestler.
HONG KONG In Hong Kong Jonathan meets Stephen Chow, star of King Fu Hustle and Shaolin Soccer, celebrates Michelle Yeoh, the world's first female Asian superstar and looks back at his all-time Hong Kong heroes, including Bruce Lee and Jackie Chan.
KOREA Many critics consider Korean cinema to be the most exciting in the world today. Among the directors Jonathan meets are Park Chan-wook, whose film Oldboy won the Grand Prix at Cannes in 2004. He also looks at an extremely odd little monster movie produced by North Korean dictator Kim Jong-il who kidnapped the film's director from South Korea to make his dream project.
For full descriptions of each episode and the films featured in them, visit the BBC4 site.
Also be sure to check out the series Mind, Body and Kick Ass Moves that kenada also has posted. Expect a blog entry on that in the future.
NOTE: Just watched the Japanese episode and there are a number of what I would consider "spoilers", especially for the Miike films, so proceed at your own caution!
Oh they now how to do it in Berlin. When attending the Berlin Film Fest and European Film Market last year, I snapped this pic in a staircase in one of the cinema buildings in Potsdamer Platz:
And on YouTube, you can now watch the the TV show that helped further turn me on to Hong Kong cinema. I owe Jonathan Ross a drink!
Almost every year we since we screened FUDOH in 1997, TIFF has showcased one of that year's new works by Takeshi Miike. For this years choice, SUKIYAKI WESTERN DJANGO, we had an extra treat in store for the audience from Miike.
The last time Miike was able to come to Toronto was for the world premiere of ICHI THE KILLER, but a little incident that became known as 9/11 left Miike stranded in a west coast US airport. Since then, every time we have selected one of his films, his shooting schedule has gotten in the way of him making a personal appearance. This year, as we were confirming guests, we were again denied his presence as the film was getting premiered in Venice and then he had to return to Tokyo for the film's theatrical release, but we were graced with the two lead actors, Yusuke Iseya and Yoshino Kimura. We were excited when we got the news as we had never had any actor appear for a Miike film, let alone two! They were a pleasure to have grace our stage and the audience took an immediate liking to them as you can see in the video. Once they left the stage, we had one more surprise for the fabulous fiends that are the Midnight Madness audience: a video message from Miike, hand delivered from Venice by the film's festival publicist, Jill Jones from DDA PR – one of the easiest going publicists I have had the pleasure to work with in my ten years at TIFF.
My favourite part of the video? The crowd's reaction when Miike tells them where the best audience in the world is located. Watch and see...
Been tardy in posting on this blog of late, but this should make up for it. Okay, so I am double dipping on the post process since I just put this up over at the blog I maintain for the Midnight Madness section of the Toronto International Film Festival which I programme, but you wouldn't have known about it otherwise right?
I first met director Wilson Yip in 1999 when he attended the Festival with his film BULLETS OVER SUMMER. Programmer Noah Cowan introduced us, knowing my love for Hong Kong films and almost immediately I was able to break the language barrier by complimenting Wilson on some of his previous films BIO-ZOMBIE, MONGKOK STORY and the fun horror anthology MIDNIGHT ZONE. After that we kept in touch and would meet in Hong Kong when I'd visit and hung out together at the Udine Far East Festival in Italy.
In 2000 I was able to roam beyond my usual world of celluloid shockers and select a film outside of Midnight Madness. That film was JUILET IN LOVE, directed by Wilson Yip and I was able to show off that I do have a sensitive side of my cinematic tastes. At the end of the screening, several members of the audience were sniffling and wiping tears from there eyes. A refreshing change from the usual shrieks, screams and laffs at Midnight!
In 2005 it was an honour to welcome Wilson into the Midnight Madness arena with SPL starring Wu Jing, Donnie Yen and Sammo Hung. Being a fan of HK films, to be onstage with Wu Jing and the legendary Sammo Hung before a cheering audience of 1200 was one of the highlights I have had working for TIFF. The reaction for that film was overwhelming and if you haven't seen it, run out and get the fabulous 2 disc version that is out on Dragon Dynasty under the re-titled name of KILL ZONE. Zip into our blog archives to get Midnight Madness blogger Carol's memories of seeing Sammo on stage for SPL.
A year later, Wilson unleashes the whiplash attack that is FLASH POINT. At last, here is the edited introduction with a special email greeting from star Donnie Yen and the Q&A with Wilson following the movie. Sorry about the poor video and sound for the start of the Q&A, but it clears up two minutes into the video.
And good news for those who missed the screening at Midnight Madness, for according to Bey Logan at his Dragon Dynasty blog, DD will be doing a limited theatrical release of the film in the US before it gets a video release. Originally planned as a prequel to SPL, the story behind the writing of FLASH POINT is an interesting look at how the HK film industry operate. Check out Bey's inside scoop on the evolution of FLASH POINT over at his blog.
Posted by our good pals at Twitch Films, the trailer Tony Ching’s AN EMPRESS AND THE WARRIORS starring Donnie Yen. And don't let the Tony Ching name fool ya, its just another way of saying Ching Siu-tung (A CHINESE GHOST STORY, SWORDSMAN 2, HEROIC TRIO, etc)
My film fest mafia brother Simon Rumley, director of THE LIVING AND THE DEAD, just came back from Shanghai and sent me these lurid posters from the dvd markets...
Oh Jackie! According to Variety, in mainland China, Jackie Chan is doing his bit in the fight against piracy by offering a message of thanks via 200,000 antipiracy refrigerator magnets to be given to consumers who buy authentic copies of "Perfect Stranger," "The Bourne Ultimatum" and "No Reservations."
I remember the good ole days when Jackie would actually use his fists to beat pirates...
This in from cinema patron Marc Walkow's blog, Outcast Cinema about Synapse Films' three-disc release of the Legends of the Poisonous Seductress. After watching these trailers, I am itching to see the features, especially the first entry in scope black and white that looks absolutely delirious! Here are the trailers and an assortment of pics from the films, but for better context, visit Marc's blog.
There is such a wealth of undiscovered Japanese films out there. Everyone goes on about the Lady Snowblood films, but there are a number of other wild action film series such as Wicked Priest or Oichi The Blind Swordswoman (aka CRIMSON BAT). Seeing these projected with an audience today would be a blast!
I added this listing on the blog roll at the side of our page, but never had the chance to let our patrons truly know about Lars Erik Holmquist's recent contribution to the world of twisted cinema blogging. Lars and I met via the early days of the internet when he managed the Hong Kong Cinema Homepage around 1994, the first on-line resource for fans of Asian action. We got the chance to meet here in Toronto when he visited from Sweden and Lars was even able to attend one of my Kung Fu Fridays film screenings (The Bride With White Hair I believe). Even though an ocean separates us, I felt that I had found my Swedish counterpart when we swapped stories of organizing screenings of HK goodness and poster collecting. Right now as I post this, Lars is on his way back from Tokyo and I am looking forward to seeing on his blog what stuff he collected while there.
Meanwhile, read about his collection of posters, particularly this fascinating look at restoration and linen backing.
PS - Rumor has it that he even knows a certain Swedish actress known for her role as a one-eyed avenger...
This was first posted over on Grady Hendrix's resurrected Kaiju Shakedown blog over at Variety and I think I have just the lobbycard to match up with this outrageous story:
What the hell is the name of this 1973 Japanese kids superhero show? Its like HR Puffinstuff in HELL! I love it!
UPDATE!
This in lightning fast from blog reader Don, the answer!This hero is "Diamond Eye"! A one season wonder, Diamond Eye fought these beasties in 26 episodes. From japanhero.com Here is the plot line:
An ancient cadre of evil beasts have awaken in modern times and prepare to conquer humankind. With supernatural magic they masquerade as normal humans to infiltrate and destroy civilization. “Shukan Japan” (Weekly Japan) news reporter Rai Koutaro uncovers their plans and attempts to warn the world. Entrusted with the blue diamond “King of Arabia” ring he calls forth the powers of the mystical godlike entity Diamond Eye, the Warrior of Light to battle the beasts and defend humankind.
And more info on our valiant hero:
When Rai Koutaro is sent a package from Switzerland, he finds its contents to contain a magical blue diamond ring. This is the “King of Arabia” ring and is valued at almost 10 Hundred Million Dollars.
In time of great danger, Rai Koutaro is able to summon forth the magical entity of Diamond Eye from within the ring by using the call phrase “Eye Yo!”
Diamond Eye is a mystical being of Light who is a “Spirit of Justice” and a “Warrior of Light”. He is similar in many ways to a djinn or genie in some respects (or even the Tsuburaya hero Ultraman).
Diamond Eye possesses various abilities that can be seen as almost “god like”. He has incredible strength, stamina, and speed far exceeding those of normal humans. He is also incredibly athletic and can perform various complex acrobatic movements.
Diamond Eye is able to pierce through the Ancient Beasts’ mystical disguises using his “Gedou Shoshinrei Hakko Sen” (Inner Soul Illumination Beam).
His sole weapon of choice is his [Diamond] Stick, a sword-like weapon, which he carries constantly in hand. In addition to using it as a stabbing and slashing weapon, from the base of its handle Diamond Eye can fire his “Noble Punch” special attack. His “Noble Punch” attack is a beam ray attack of incredible power that can stun and immobilize his enemies.
Check out this article on the founder of the powerful Shaw Brother Studios. You can also listen to the MP3 of it here. And are you a Hong Kong based scientist working in Astronomy, Life Science and Medicine, or Mathematical Sciences who has " “who have achieved significant breakthrough in academic and scientific research or application and whose work has resulted in a positive and profound impact on mankind?” Then you could be eligible for the $1 million Shaw Prize!
Not looking forward to this, especially the director's "permission from Kurosawa Productions to create a single, younger character (Jun Matsumoto, the youngest member of popular boy band Arashi) to reflect the aimless youth of today."